美国西部篷马车队的故事

and i have committed to pain
as of those Arabian chords......
and everything seemed so beautiful to bear
as the watched-over-an-over dancing scene is
launching
after shinny parts of conversations and start
birds were murmuring in the dim distance
and everyday struck, every night,
where pretty ideas rest
in the white marbled arms
how soothing is the music
how soothing is the dance
and
how suffocated I am, alone
in a seat sunk

Forget about AN AMERICAN IN PARIS (1951) or GIGI (1958), this is“the” genuine chef d’oeuvre of aMinnellimusical, THE BAND WAGON is a glittering meta-pomp jauntily fights its corner for the middlebrow fluff over the highbrow pretension, not to mention it is where THAT’S ENTERTAINMENT! standard derives from.

每每看歌舞片，都觉得眼花瞭乱，不知道眼睛往哪里放。
这可能是歌舞片剧情都比较简单的原因吧。
这部1953年的《蓬车队》，感觉上比《爱乐之城》好多了。
几场舞都很震撼，无论是一开场在游乐场Hunt的踢踏舞，还是后面他们巡回演出的几场：Sunrise，The Louiseanna Hayride，Girl Hunt，三胞胎，各有各的特色。而公园里Dancing in the darkness一曲，更见两人的舞蹈功底，《爱乐之城》中A lovely night那段舞模仿这段“黑暗中的舞蹈”，相形之下，《爱乐》简直是渣渣。

“篷车队”近乎完美的喜剧片 专业舞者就是不一样
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