Mrs. Bigelow is obsessed with obsession. Blue Steel, Point Break, the Hurt Locker, now Zero Dark Thirty. The background of the story changes, the story remains the same. Behind different faces, the same obsessive character. The obsession portrayed in her films actually is quite simplistic and straightforward but anyhow, in our time her "oeuvres" are considered as deep, realistic, and arty. After an adrenaline fix come the inevitable frustration and emptiness of living, Mrs. Bigelow shows it to us over and over again; her hero has a conniving streak in him/her, but a hero nevertheless. She's so focused on her obsessed character, it's easy for her to claim that the Iraq war film she made was apolitical, and ZDT, a political thriller, has no political agenda.
看到有人质疑为什么海豹这么大动静，里面的人几乎没反抗。有办法反抗么？ 奥巴马批准实施行动之前，情报工作就已经对院内的房屋结构、人员活动规律、周边情况分析了个底朝天（即使是看不见房屋内部）。没有受过一流体系训练的游击队在超一流的特战精英、装备、情报体系面前，反抗不反抗基本没区别。
别再神话那些不成体系的神出鬼没的游击队。也别再拿些偶发事件、小概率事件来说明“最强大的XXX也不过如此” 。这世界上最遥远的距离，就是业余和专业的区别。最可笑的无知
【猎杀本·拉登】现实是坚持不懈的长跑
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