更新：2024-04-28 07:45
首映：1983-05-21(日本)
年代：1983
时长：140分钟
语言：日语
评分：8.1
观看数：33600
热播指数：270
来源网：爱美剧
细雪：1983推荐，旖旎的女性物语
"展现了当时资产阶级糜烂而颓废的人生"? What moron added that plot summary, Commissar?!
I watched this film about 5 years ago, and moments of its sublime beauty still stay with me. Faithfulness to the original plot aside, this is one of the greatest adaptation of literature on screen, in terms of the affinity of spirit. 谷崎润一郎's adoration of shadow (阴翳) as the primary symbol of Japanese asthetics finds an eloquent expression in the caressing canerawork of Kon Ichikawa.
If one must search for a sound-bite for this movie, it will have to be "the sorrow in beauty". This is an inherent and unescapable sorrow, because: (1) beauty is transient and will not last, like 红颜/樱花; (2) beauty, by its perfection, brings out the many imperfections and regrets in our lives; (3) And the ultimate futility of it all.
开头结尾的赏花片段异常愚蠢（不是说花和风景：是说人的动作和电影编辑，特别是已经被大林宣彦戏仿过的帧率变化），前半部分的黑白闪回也令人痛苦。不过对于那些奇特、略微超出现实范畴的灯光布置，一旦你意识到那也许是一位三十年前已拍出代表作的导演在一个奇怪的场合下致敬五十年代的B级彩色电影（这部电影也几乎都是在布景中拍的），而不是八十年代黑泽明式疲软的蓝绿光，你就会觉得它们无比美丽。除此之外，这部电影像一种多线化的成濑，充满了奇妙或怪异的场景，取决于你怎么看
细雪：1983推荐，旖旎的女性物语
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