A humanist masterpiece. The film is certainly against the dehumanizing aspects of corporate life, but one hesitates to call it a "protest" movie, like some of Chaplin's repertoire. There is no expressed anger, but what I see as a reasonable, controlled indignation, made poignant by sympathy and sensibility.
Olmi's films never disappoint. His technical background gives him fine eyes for the subtlety of light and shadow in black/white cinematography. His two best-known works, "Il Posto" and "Il Fidanzati", are the epitomes of B/W accomplishment.
人气！艹，一份工作意味着什么？
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