1964年奥斯卡最佳影片、导演、改编剧本与配乐+威尼斯影帝。
典型后现代式无厘头喜剧片，叙事上：脸谱化的人物+夸张的情节+猝然强行反转大团圆的结局。
形式上：角色各种打破第四堵墙的言行&旁白剧透、自指（如“以下照例省略激情戏”）与自嘲&出片名前的数分钟仿默片式开场+圈入圈出转场+高速剪辑+降格镜头（追逃戏）+定格镜头蒙太奇（男女两人门外偷听场景）等拼贴式的电影语言。
最有名的段落当属两人边吃海鲜与水果边调情的正反打蒙太奇了，极具性暗示。
British New Wave practitioner Tony Richardson’s rumbustious Oscar BEST PICTURE champ has been degraded to something of a damp squib half an century later since its triumph is deemed as“unworthy” by general opinion, in IMDB it holds a 6.7/10, quite a nadir for a redoubtable title-holder.
【汤姆·琼斯】[Film Review] Tom Jones (1963) 7.3/10
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